Sunday, June 19, 2011

A FATHER'S LETTER

Since it’s Father’s Day today, I’m reprinting a piece that I wrote for my now-defunct column “Matter of Fact” (Manila Times, November 16, 1996).

  Son & Father, circa 1976


LETTER TO MY SON


TODAY, as I write this, you turn 25. I feel terribly old.

When I was 25, I married your mother, and a few days before I turned 26, you came along. I remember breaking out into a rash after coming home from the hospital the day you were born. It looked like chicken pox, but the doctor said it was just some kind of strong allergic reaction, perhaps brought on by the terror and excitement of becoming a first-time father.

You’ve had a pretty tough time. When you were a two-month-old fetus in your mother’s womb, she had to have part of her ovaries removed because of a spreading tumor, and you survived on the almost daily injections that your mother had to get in order to replace whatever it was that her ovaries used to secrete.

I wasn’t such a bad father in the first few months of your life on earth. I woke up in the middle of the night to mix your formula and sing you to sleep, and I put up with your milky vomit on my shoulder, and I even cleaned up your poo-poo. Greater love than this no father has, that he clean up his son’s poo-poo, gingerly wiping it off the little baby ass with a wet cotton ball.

But before your first birthday, a giant asshole declared martial law, forcing me to abandon both my marital and paternal duties. When we next saw each other, I was in the underground resistance, and it wasn’t an easy thing to take you out to play in the yard or the community playground. And then after that I was just someone behind bars that you visited once a week for nearly two years, and who brainwashed you into replying, when anyone asked where your father was: “Ikinulong ni Marcos.”

So you will understand why, when I finally got out, I was so disoriented, and such a grouch. I easily got angry with you for little things, such as insisting on watching Voltes V instead of joining your mother and me at the dinner table, or wanting to eat nothing but hot dogs. I never really hit you, but I can remember your tears and your terrified screams when I hit the floor beside you with my belt.

You must understand that I had no role model as a father. My own father, though he was caring and really worked to the bone for his family, was employed in the big city and came home to our small town only on irregular weekends. Once he took me and my brother to the local moviehouse to see Gunfight at the OK Corral. I remember that vividly because it was the only movie we ever saw together.

When I was 13, my father died. As the eldest child, I was like a father to my five younger siblings, but that’s not really the same as having a child of your own, being a real father. When you were little, I read Benjamin Spock’s Baby and Child Care, but I can’t seem to remember what I learned from it. All I can remember, for some strange reason, is that Spock opposed the Vietnam war, and he had the same name as this alien character in Star Trek.

Should I have given you condoms when you entered your teens? Should I have had long discussions with you on the nature of imperialism and the military-industrial complex? Should I have fought with the teacher who treated you unfairly or confronted the bully who roughed you up when you decided not to go through with your fraternity application?

Basically, I left you alone. I was bewildered when you joined Bible studies with Christian fundamentalists, nervous when you joined your first protest demonstration, proud when you became president of the College of Arts and Letters student council, amazed that you have taken up mountaineering as a hobby. But basically I left you to your own devices.

That was because I didn’t really know what to do.

When you went to college, I didn’t tell you what course to take. In high school you loved to draw, and I had hoped you would go into fine arts. But you chose to join your mother and me in “this damned profession of writing, where one has to use one’s brains all the time,” to use Ezra Pound’s apt description.

It’s a difficult enough profession as it is, since it can’t give you too many of life’s creature comforts, but it’s doubly tough for you because of the name you carry: Kris Lanot Lacaba. People are always asking how you’re related to the writing Lanots and the writing Lacabas. I can see how that can be such a drag.

Now you’re 25, and I guess your mother and I should congratulate ourselves because you turned out the way you did. You didn’t get into drugs, and you didn’t get into fights, and you eat vegetables, and as far as I know you haven’t got any girl pregnant.

Still, I can’t help thinking that I still don’t know how to go about fathering and parenting. There are many areas of our lives that are closed off to each other, and I don’t know if that’s the way things should be for fathers and sons.

We talk about a lot of things—movies, poetry, green jokes—but somehow we hesitate to talk about things that would force each of us to reveal messy emotions and embarrassing fears and our deepest loves and joys. I don’t know if your being a secretive Scorpio and my being a tactless Sagittarius has something to do with that.

But you’re flesh of my flesh and blood of my blood, and I guess that still counts for something in this world. I know that, if I’m too drunk to drive, I can count on you to drive me home, and you know you can depend on me to answer the phone for you when you’re expecting a call but you need to take a crap.


“Matter of Fact”
Manila Times
November 16, 1996

Tuesday, May 31, 2011

TULANG PAMBATA: FOR ADULTS ONLY?

TULANG PAMBATA: FOR ADULTS ONLY?

Ano ang talagang ginawa nina Jack at Jill nang umakyat sila sa burol?

Kapilyuhan, ayon sa isang eksperto sa folklore.

Hindi inosenteng pag-igib ng tubig ang ginawa nina Jack at Jill, paliwanag ni Norman Iles. Sa orihinal daw, si Jill at hindi si Jack ang natumba, at dahil dito’y “nabasag ang kanyang korona.” Itong huling prase ay katumbas pala ng ating kawikaang “nabasag ang banga.” Sa madaling salita, nawala ang pagkabirhen ni Jill.

“Ang mga awiting pambata ay lubhang bastos at seksuwal sa nilalaman, at ang mga ito’y sinensor ng Establisimyento at ng Simbahan sa paglipas ng panahon,” sabi ni Iles. Kasalukuyan siyang nagsusulat ng librong may pamagat na Nursery Rhymes Restored to Their Adult Originals.

Sa interpretasyon ni Iles, si Little Miss Muffet ay isang nakahubad na nagpapaaraw, at ang gagambang bumulabog sa kanya ay isang namboboso. Ang “London Bridge Is Falling Down” ay tungkol naman daw sa nararamdaman matapos makipagtalik, samantalang ang “Rub-A-Dub-Dub Three Maids [o Men] in a Tub” ay tungkol sa isang orgy.

Dahil sa mga pahayag ni Iles, hindi tuloy ako mapagkakatulog. Aba, biruin mong ilang milyong kabataan natin ang kino-corrupt ng mga tula’t awiting pambata! Dapat siguro’y mayroon din ditong lupon sa sensura na magkaklasipika kung aling tula’t awiting pambata ang for general patronage o for adults only.

Habang pabiling-biling sa aking higaan ay napag-isip-isip ko ang ating mga katutubong tugmang pambata. Mahalay at malaswa rin kaya ang mga ito?

Walang dudang bastos ang “Sitsiritsit, Alibangbang.” Ito’y tungkol sa babae sa lansangan na kung gumiri ay parang tandang. Mayroon pa itong dagdag na saknong na sa kabutihang-palad ay hindi na karaniwang kinakanta:

Ang babae sa Navotas,
May botitos, walang medyas…

Ang babae sa Makati,
May medyas, walang panty…

Sa iba pang mga tugmang pambata, mukhang disimulado na ang kabastusan, tulad ng nangyari sa “Jack and Jill.” Siguro’y may naganap nang sensura sa paglipas ng panahon, o baka nakalimutan na natin ang kahulugan ng mga orihinal na talinghaga.

Kung maniniwala ka kay Iles o kung likas na marumi ang isip mo, hindi ka mahihirapang maghanap ng pilyong kahulugan sa tulang ito:

Isa, dalawa, tatlo,
Ang tatay mong kalbo,
Umakyat sa mabolo,
Inabot ng bagyo.

Apat, lima, anim,
Ang tatay mong duling,
Nanghuli ng pating
Sa balong malalim.

Ano pa ba iyan kung hindi paglalarawan ng aktong seksuwal? Ang pagbibilang at ang mismong ritmo ng tula ay nagpapahiwatig ng gawaing hindi dapat ipaalam sa mga bata. Ang “ulong kalbo” at “balong malalim” ay tila may maruming konotasyon. Gayundin ang “mabolo”—ito’y isang bungang-kahoy, pero ang orihinal na bigkas dito’y “mabulo,” na nangangahulugang “mabalahibo.”

Kung sinimulan mo na ang ganitong pagsusuri, tiyak na makakadiskubre ka ng mga phallic symbol sa kung saan-saan.

Nariyan ang “talong” at “mani” at “patani” sa “Bahay-Kubo.”

Nariyan ang “kutsilyo de almasen” at “sipit na namimilipit” sa “Pen Pen de Sarapen.” Idagdag mo pa ang “sarap” na bahagi ng salitang “sarapen.”

Nariyan din ang “baril” at “sundang” sa “Ako’y Ibigin Mo, Lalaking Matapang.” Baka nga ang “pito” at “siyam” sa awiting-bayang ito ay hindi tumutukoy sa dami ng baril at sundang, kundi sa haba, sa pulgada. At may isang pinggang pansit na kalaban ang lalaking matapang—hindi kaya ito ang mabulo sa bukana ng balong malalim?

Ewan ko, pero hindi ako magtataka kung iyon na nga.

Salamat na lang at kolonyal ang sistema ng ating edukasyon. Kung hindi, baka ituro pa sa ating mga eskuwelahan ang mga katutubong tula’t awiting pambata. Baka kung anong imoralidad pa ang matutuhan ng ating mga anak.

Iyan namang nursery rhymes sa Ingles—wala namang nakakaintindi niyan, kaya okey lang. Ang dapat na lang gawin ay ipagbawal ang libro ni Iles, kung sakaling matapos niyang sulatin.

Mula sa kolum na
“Sa Madaling Salita”
ni Jose F. Lacaba
Mr. & Ms. Magazine
1983 August 23

P.S. 2011: Ang libro ni Norman Iles ay nalathala noong 1986 ng Robert Hale Ltd. (London, UK) sa ilalim ng pamagat na Who Really Killed Cock Robin?: Nursery Rhymes and Carols Restored to Their Adult Originals (o …Restored to Their Original Meanings, ayon sa ibang mga website).

Monday, February 28, 2011

Tula: KAPARIS NG KAWAYAN, KAPARIS NG KALABAW

Kaparis ng Kawayan, Kaparis ng Kalabaw

Ang Pilipino'y kaparis ng kawayan,
nakikisayaw sa hangin, nakikisayaw:
kung saan ang ihip
doon ang hilig,
kaya hindi siya nabubuwal, hindi nabubuwal.
Di tulad ng punong niyog,
ayaw yumuko, ayaw lumuhod,
kaya siya nabubuwal, nabubuwal.

Iyan ang sabi-sabi,
ewan lang kung totoo.
Pero kung totoo ang sabi-sabi,
lagot tayo!

Ang Pilipino'y kaparis ng kalabaw,
napakahaba ng pasensiya, napakahaba:
kung hinahagupit
walang imik,
kaya hindi siya pinapatay, hindi pinapatay.
Di tulad ng baboy-damo,
ayaw sumuko, ayaw patalo,
kaya siya pinapatay, pinapatay.

Iyan ang sabi-sabi,
ewan lang kung totoo.
Pero kung totoo ang sabi-sabi,
lagot tayo!

--Jose F. Lacaba

------------------------------------------------------------
Sinulat para sa
BATUBATO SA LANGIT
Mga Titik para sa Isang Sarsuwelang
Binalak sa Panahon ng Diktadura
------------------------------------------------------------

Mula sa kalipunang
Sa Panahon ng Ligalig
(Anvil Publishing, 1991)